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OBOE & COR ANGLAIS
REPAIRS
We are very fortunate that we have a Buffet trained oboe
repairer running our workshop. Tim finished the rigorous
training required to work on the top Buffet professional oboes
at the Mantes-la-Ville factory outside Paris in 2008
Most standard repairs and services are kept at the shop for
3 working days. Instruments requiring larger repairs
such as a complete repad are usually kept for 3 - 5 working
days.
Wood, Wind & Reed operate a bookings system so
that you are without your instrument for as little time as
possible. To avoid the need for unforeseen repairs we recommend
that you have your instrument checked every 12 - 18 months
and then book it in should work be required. You can make
bookings up to a year in advance. School holidays fill up
very fast so book well in advance to avoid disappointment.
Same day, or overnight repairs can be carried out by prior
arrangement and depending upon the amount of work required.
Please contact Tim to discuss your repair.



COMMON SMALL REPAIRS
Replace crook cork (Cor anglais only)
The cork around the crook where the crook fits on to the instrument
is known as the crook cork. If this becomes loose or damaged
it would need to be replaced.
Broken or loose tenon corks
The cork around each joint of the oboe and cor anglais is
known as the tenon cork. If this becomes loose or damaged
it would need to be replaced.
Skim tight tenons (free on instruments purchased from
Wood, Wind & Reed)
It is not uncommon for the joints on wooden instruments to
become tight over time. This is the natural shifting of the
wood due to heat and moisture. When this occurs a fine amount
of the wood around the tenon needs to be removed to allow
the joints to be put together smoothly once more.
Replacing a broken spring
The thin pieces of wire and flat pieces of steel under each
key are the springs. If these break they will need to be replaced.
Replacing a single Octave Pad Only
Replacing a single traditional Pad Only
Replacing a single Cork Pad Only
Move the thumb rest
If the thumb rest on the clarinet is not in a comfortable
position it can be relocated and the old holes from where
it was affixed filled to leave the instrument blemish free.
Fit adjustable thumb rest
There are several different styles of thumb rest available
which offer the freedom to adjust the thumb rest position
without having to see a repairer.
Fit Kooiman thumb rest
This is a plastic thumb rest ergonomically designed to shift
the weight of the instrument away from the end of the thumb
closer to the joint to the hand. This is designed to help
those players who suffer from strain injuries in the hands
due to the weight of the instrument.
Sharpen Reed Knife
GOOD WORKING ORDERS, SERVICES AND REPADS
Good Working Order
A "good working order" is a repair to maintain an
instrument in good playing condition. This type of repair
would generally entail checking all pads but only replacing
those that are totally beyond use. Pads which are worn and
still sealing when played with a moderate finger pressure
are left in place. Corks and felts are replaced if totally
worn. The body and key work is not cleaned.
The aim of this repair is to keep an instrument operational
at a good standard at the lowest sensible cost, whilst not
fixing every small point on the instrument. Should Wood,
Wind & Reed believe a larger repair is necessary they
will advise the customer.
Service
A full service is the term used when an instrument is to be
brought back to excellent condition but which is not so bad
that it needs a repad. A full service would usually involve
completely stripping down the instrument and cleaning all
key work and body parts. Replacing any pads that are too worn
to be re-seated or are unlikely to last a further six months
playing, and replacing any tenon, crook, head or key corks
as required. Key wear and dents are removed as discussed with
the customer.
Repad
A repad would be carried out if the instrument is too worn
to benefit from a full service. This form of repair would
usually bring an instrument back to as-new playing condition.
Repadding generally involves completely stripping down the
instrument and cleaning all key work and body parts. Replacing
all pads with new ones and replacing any tenon, crook, head
or key corks that are unlikely to last a further six months
playing. Thorough regulation of the instrument upon reassembly
and careful balancing of all springs. Key wear and dents are
removed as discussed with the customer.
All instruments are repaired using either traditional
high quality pads of felt, cork, or gortex. We will replace
pads using the same material as currently on the instrument
unless otherwise stated.
Premium pads
A high quality traditional pad used on all repairs unless
otherwise stated.
Cork pads
A high quality cork pad used on all levels of instruments
for the octave keys. Cork pads provide a firm playing surface
and are often used in the repair of professional oboes. Where
cork pads are currently being used on an instrument these
will always be replaced with cork unless otherwise stated.
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